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Bleed From Within

May 3, 2026 at 7:00 PM  ·  Hangar 1819, Greensboro, NC Hangar 1819, Greensboro, NC

Bleed From Within
May 3
Bleed From Within
Past Concert

LineUp

Bleed From Within, a Scottish metalcore band from Glasgow formed in 2005, delivers powerful, groove-laden metal. Their style blends metalcore, melodic death metal, and groove metal, known for heavy breakdowns and growling vocals. Popular songs include "The End of All We Know." Notable albums include 2025's "Zenith" and 2022's "Shrine". They earned a Metal Hammer Golden Gods Award in 2013 and have collaborated with artists like Josh Middleton.
New Hampshire's Great American Ghost, formed in 2012, blend metal and -core genres. Signed to SharpTone Records, they've released "Hymn Of Decay," produced by Will Putney, with a lineup featuring Ethan Harrison and Niko Gasparrini. Known for their relentless style, they're touring with The Ghost Inside and more.
Sylosis, a modern metal band from Reading, England, is known for its sophisticated, uncompromising style. Signed to Nuclear Blast, their acclaimed albums like Conclusion Of An Age and Cycle Of Suffering solidify their reputation in thrash metal.
Life Cycles is a metal band from San Antonio, Texas, formed in 2014, blending thrash metal and hardcore with fast riffs and intense vocals. Known for their unyielding intensity, they draw inspiration from bands like Slayer and Pantera. Their discography includes the 2024 EP "Portal to the Unknown" and the 2026 EP "No One Escapes Death," featuring collaborations with Sylosis and Matthew K. Heafy. Popular tracks include "Death from Above" and "Fatal Path."

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Venue Info

Hangar 1819 Hangar 1819 Music Club Capacity: 525

About Hangar 1819

Hangar 1819 is an intimate 525-capacity music club in Greensboro, NC, known for its industrial charm as a former aircraft hangar. This venue offers a high-energy, standing-room-only experience, making it a prime destination for national touring artists and local bands across various genres, fostering a direct connection between performers and the audience.

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